M. Collins

Unoccupied chairs and tables on a beach with a centre piece

Mannequin in the outside areas of The House of Dreams.

A perfect shop window mannequin with poise and emotion. Real and yet not real. Fake and yet not fake.

Mardi Gras-wear like cat

Intense concentration and focus of a Flamenco dancer

Latin tattoo on reclining figure

The contoured back of a sculpture by Jonathan Hateley

An ethereal dancer in sequins singing to a remote balcony of admirers. She has the pose and an air of desperation.

Guitar player still and in motion at the same time. Release at the end.

Beech tree surrounded by finds in the forest

Watery wintery sunlight through the bare trees in winter

A stone stairway where it feels that very little has changed over its years with different people doing the same things that have always been done here.

Chinese restaurant, open with customers, chef and menus.

Everyone is asleep or nearly so as they wait for the last load to finish

What happens in the mist. White Horse Hill, Uffington - predawn.

individuals through the windows of a train moving through a station

Looking down on people walking through the same space at different times.

Blue rain, grey-blue sky, blurry image of rain on a seashore

Filler cap on a Bedford truck resprayed to look like rust.

Red curtains, red light, red wall, red room

M. Collins

M. Collins started out as an industrial photographer in the 80s, before taking a different road. While being educated, employed, resident  and raising a family across Europe and the US, he always had a camera somewhere nearby. He was able to prioritise his photography again after accidentally retiring to Hastings in 2017. He is a regular exhibitor with ongoing photographic sales and commissions.

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